Copyright 2007-2012
Built with Indexhibit

PARASOMNIA
Finalista Prémio MediaArt 2015 Sonae/Mnacc

Civilization as a whole is on the verge of “losing a basic human faculty: the power of bringing visions into focus with our eyes shut".
Italo Calvino



Photographs by MNAC, Lisbon, 2015 (1-6) and HSIU PING in Macau at the International Arts Festival of Macau

PT
Parasomnia consiste numa instalação visual e sonora que pretende promover a “estimulação da produção de melatonina” e os “vapores de sonolência apropriados à indução de um sono regenerador propício à prática do sonho lúcido”.

Numa primeira antecâmera, criada em 2015, o visitante é convidado a aguardar enquanto observa um mural de pinturas desenrola-se num movimento impercetível ao olhar desatento, mas constante ao olhar perscrutador.

Numa segunda câmara, o visitante é convidado a render-se à inércia de uma sesta. Acompanhado de uma voz feminina que envelhece, o visitante, deitado, mantém-se no limiar de uma contradição performativa: se ficar acordado, perde a experiência que a instalação lhe propõe; se adormecer, perde a experiência que a instalação lhe apresenta.

A partir de 2016, duas novas câmaras foram criadas para a apresentação de Parasomnia no Kaaistudios em Bruxelas, e mais duas para o Festival Internacional de Artes de Macau.

Numa terceira câmara desenrola-se o início da Via Láctea, enquanto numa quarta câmara podemos entrar no quarto dos prazeres, onde as jóias de Alva Ramalho estarão expostas para o vosso uso e olhar.

Numa câmara ao ar livre, todos são convidados a cear, a contemplar, a tomar banho, a lavar os pés, a dar um passeio.

Na sexta câmara temos o quarto de embalar onde nos podemos encostar a almofadas de madeira e adormecer ao som de canções de outros tempos e outros continentes.

ENG
Parasomnia is a visual and sound installation that was specially made for the collective exhibition Sonae MediaPrize 15 and initially consisted of two chambers on sleep, drams and death. In 2016, two rooms were added specially for Kaaistudios in brussels and two more were made for the International Festival of Arts in Macao.

In a first pre-chamber, the visitor is invited to wait while observing a mural of multiple paintings that morph into each other at an imperceptible pace to the distracted eye but persistently for the curious look.

In a second chamber the visitor is invited to surrender to the inertia of a siesta. Guided by a feminine voice that grows old as she speaks, the visitor remains in the threshold of a performative contradiction: if the visitor stays awake, he misses the experience offered by the installation, if the visitor falls asleep, he misses what the installation presents.

In a third chamber you have a pleasure room - In this room some of the jewels of the private collection of Acácio Nobre are exhibited. These jewels were originally designed by his lover and lifetime companion Alva Ramalho.
The Jewels – intimate male brusher, female pleasure enhancer, insomniac eye lashes made by Alda Salaviza/ Video mural: IrmãLucia efeitos especiais & Patrícia Portela/Sound: Patrícia Portela

In the Milky way room one can contemplate in slow motion the beginning of the Milky Way, when Zeus tries to make Hercules immortal by giving him the milk of Juno but Juno wakes up.
Video mural IrmãLucia efeitos especiais & Patrícia Portela

In the open air bathroom, one can eat, take a bath, wash one's feet, contemplate, go for a walk. The ultimate slowdown is tasted with chchchchchestnut soup, Lavendel sleeping pills, Dreamrisotto and sweet cherry dreams dessert.

In a last room, one can lie down against wooden pillows and fall asleep to the sound of lullabies.

artistic team
space, text and images – Patrícia Portela;
Edition of text - Isabel Garcez;
Video Mural pre-chamber 1 – Irmã Lucia efeitos especiais;
Light – Leonardo Simões;
sound – Christoph de Boeck;
Violin – Elisabeth Druwé;
Voices PT and ENG - Célia Fechas; António da Roza's mother (in Cantonese);
Voice lullaby room - Thiago Arrais;
Soporific food – Annick Gernaey /piste sauvage;
Waiting bench – João Gonçalves;
Construction of waiting bench -Leonel & Bicho;
Jewelry - Alda Salaviza;
Performers: Célia Fechas, Leonor Barata, Mónica Coteriano, Patrícia Portela;
Production: Prado, associação cultural;

This installation is dedicated to Jan and Annick.

World Premiere: 20 11 15 in Museum of Contemporary Art in Lisbon.

Press

PT
“O sono é o último reduto de contestação”
Patrícia Portela estreou-se no Festival de Artes de Macau com “Parasomnia”, instalação visual e sonora, com uma dimensão performativa, que incita o espectador a desacelerar, a render-se a um estado que oscila entre a vigilância e a dormência. Um modo de questionar o lugar do sono num quotidiano rendido à imposição insone da produtividade, concebido por uma artista e escritora habituada a contornar as fronteiras da evidência.
Patrícia Portela em entrevista a Sílvia Gonçalves, Ponto Final, Macau
https://pontofinalmacau.wordpress.com/2018/05/09/o-sono-e-o-ultimo-reduto-de-contestacao/

ENG
“sleep is the last resource of protest”
Patrícia Portela was for the first time at the Festival de Artes de Macau with “Parasomnia”, a visual and sound installation with a performative dimension that incites the spectator to slow down, and surrender to an oscillating state between slumber and wakeness. A way of questioning the place of sleep in a daily routine where sleplesness is imposed as a symbol for productivity, a work conceived by an artist and writer used to challenge any treshold or border with evidence.
Patrícia Portela em entrevista a Sílvia Gonçalves, Ponto Final, Macau
https://pontofinalmacau.wordpress.com/2018/05/09/o-sono-e-o-ultimo-reduto-de-contestacao/

“Parasonmia is not about sleep but about staying awake. Awake in times of confusion and impotence. “I cannot sleep since you died” announces a voice in front of Time itself while it is running. The central theme of this piece is a poetical treaty on time, and most of all, in how to relate with time.”
Thiago Arrais In Ensaios Ruminantes sobre a obra performativa de Patrícia Portela

ENG “As it happens with a kid, it happens with art, there is something that cannot be controlled. It forces you to waste time. You do not know where it will take you to. The problem is private but the choice to admit it is political. You resist the compulsion to profit from every second of your life. Sleep is the last area that escapes this profitability compulsion, although neuroscience already wants to exploit that field. We have to relearn to give each other and ourselves time to dream. "
Patrícia Portela interviewed by Pieter T’Jonck for De Morgen

https://www.demorgen.be/podium/-we-moeten-terug-leren-om-elkaar-en-onszelf-tijd-te-schenken-om-te-dromen-ba466fcb/

NL “(…)Zo’n kind is, net als kunst, iets dat niet te controleren valt. Het dwingt tot tijdverlies. Je weet niet waar je uitkomt. Het probleem is privé, maar de keuze om eraan toe te geven is politiek. Je verzet je tegen de dwang om elke seconde van je leven te rentabiliseren. Slaap is het laatste terrein dat daaraan ontsnapt, al wil de neurowetenschap ook dat ontginnen. We moeten terug leren om elkaar én onszelf tijd te schenken om te dromen.”
Patrícia Portela in een interview met Pieter T’Jonc in De Morgen

ENG "In a museum, visitors consume art as if they were in a department store, but I would prefer that people would daydream away. "
Patricia Portela about" Parasomnia" in De Morgen, Belgium

NL In een museum consumeren bezoekers kunst alsof ze in een grootwarenhuis zijn, maar ik wil mensen laten wegdromen.’
Patricia Portela over 'Parasomnia' in De Morgen, Belgium

“Parasomnia is a phenomenological philosophical experience in real time.”
Guy Delincé, a frequent Kaaitheater spectator

"Visitng your installation today at kaaistudio was truly a mind expanding experience. Such a precise and yet free travel. Thank you"
Nathalie Rozanes, a note by a spectator in Kaaitheaterstudios

http://patriciaportela.pt/files/gimgs/th-5_parasomnia 1_v2.jpg
http://patriciaportela.pt/files/gimgs/th-5_parasomnia 5.jpg
http://patriciaportela.pt/files/gimgs/th-5_parasomnia 2_v2.jpg
http://patriciaportela.pt/files/gimgs/th-5_parasomnia 7.jpg
http://patriciaportela.pt/files/gimgs/th-5_parasomnia 6.jpg
http://patriciaportela.pt/files/gimgs/th-5_Parasomnia 3_v2.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067565.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067588.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024314.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024317.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024256.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067597.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50602722.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024264.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50201886.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067590.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024298.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50201960.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067636.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024382.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024358.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024364.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50201975.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024379.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5067679.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024408.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024430.jpg
http://patriciaportela.pt/files/gimgs/th-5_BB50602781.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024365.jpg
http://patriciaportela.pt/files/gimgs/th-5_SB5024327.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50201947.jpg
http://patriciaportela.pt/files/gimgs/th-5_B50201858.jpg
http://patriciaportela.pt/files/gimgs/th-5_251621834.jpg